RECENT WRITING
Phoebe Waller-Bridge Vanity Fair Cover Story
The Baby Reindeer Dilemma: When “True Story” TV Shows Go Too Far
The Daily Terror of Being a TV Writer Right Now
Inside Disney’s Hunt to Replace Bob Iger
Donald Glover and Maya Erskine on Mr. and Mrs. Smith
The Rebel Alliance: SAG and the WGA Owe Other Unions a Debt
Samantha Bee on her Abortion Podcast
Shiva Baby Director Emma Seligman on New Movie Bottoms
The Rise of a Labor Leader: Fran Drescher
The Bear Serves Chaos on a Plate
Jeremy Strong on Succession’s Brutal Finale
Meet the Writers Strike’s Secret Weapon: Teamster Lindsay Dougherty
TV’s Streaming Bubble Has Burst and “Everybody is Freaking Out”
Profile of Lizzy Caplan, Embracing Main Character Energy on Fleishman Is in Trouble
Emma Corrin Conversation in Vanity Fair’s Hollywood Issue
Profile of Samantha Morton, the Great Shape-Shifter
5 Years After the Dawn of #MeToo, What Has Changed?
How Redstockings’ 1969 Abortion Speakout Revolutionized Activism
Director Hiro Murai on Atlanta’s Eerie Series Finale
Sharon Horgan’s Bad Sisters Kicks Against the Prick
Mad Men’s Smoke and Mirrors, 15 Years On
Profile of Matthew Macfadyen, the Actor Behind Tom Wambsgans and Mr. Darcy
The Netflix Nightmare: What Happens When an Industry Becomes a Squid Game
Inside the Succession Drama at Scholastic
Amanda Seyfried Gets Into Elizabeth Holmes’ Head in The Dropout
Promising Young Women: Some Women Directors of the 1970s are Finally Getting Their Due
Pamela Adlon on Aging, Wokeness and Ending Better Things
It’s a Hot Mike White Summer Thanks to White Lotus
Can the Threat of a Strike Make Hollywood Live Up to Its Ideals?
Binge without Borders: The Global TV Explosion
Tribute to Anne Beatts, Comedy Pioneer and Square Pegs Creator
Shonda Rhimes and Betsy Beers Talk Bridgerton and their Shondaland Slate at Netflix
How Hollywood Writers Won a War
Annie Murphy Gives Family Sitcoms the Finger
Kenya Barris on Black Excellence and Building an Empire at Netflix
The Week the Cameras Stopped: TV in the Covid-19 Era
Hillary Clinton on Her Surreal Life and New Hulu Doc
The Decade That TV Women Flipped Their Id
Talking to Hannah Gadbsy, the Patron Saint of Isolation
Inside the Making of Unbelievable
Pose’s Rise, Transparent’s Bittersweet Finale, and the State of Transgender Representation on TV
Alix Kates Shulman and the Novel That Raised America’s Consciousness
Aaron Sorkin on How the West Wing Was Won
Jenji Kohan and Orange is the New Black’s Writers on the Show’s Devastating Final Season
How Alex Borstein Became Mrs. Maisel’s Plunger-Toting Secret Weapon
Meet the Woman Arming HBO Max for Battle in the Streaming Wars
Patricia Arquette, Prestige TV Queen
Behind the Scenes as HBO’s Deadwood Movie Searches for Closure
Georgia’s Abortion Plan is Polarizing Hollywood
Amy Poehler and Maya Rudolph Take Vanity Fair on the Ultimate Joyride
Russian Doll’s Natasha Lyonne Can’t Stop Living
Inside HBO’s Plan to Win the Streaming Wars
The Good Fight Showrunners on (Not) Impeaching Trump and the Nature of Evil
Going Global: How TV Is Blowing Up Old Ideas About What Americans Will Watch
Can Crazy Rich Asians Open the Floodgates for Asian Americans on TV?
The Sopranos’ 20th Anniversary: The Whack That Changed Everything
Does TV Have a Sex Scene Problem?
The Ever-Increasing Cost of Streaming
Gillian Anderson Lets It All Hang Out on Sex Education
Wonder Woman’s Patty Jenkins’ on Her New Noir TV Drama
The Marvelous Mrs Maisel Creators on Season 2
Desiree Akhavan has a Bisexual awakening on her new Hulu show
How Elena Ferrante’s My Brilliant Friend came to life on HBO
Diane Lane on House of Cards’ Female Fury-Driven Final Season
Matthew Weiner in the Mirror: A profile of Mad Men and Romanoffs creator
Where Did All the #MeToo Shows Go?
Alan Yang is Keeping It Weird with Forever
Profile of Hiro Murai, Atlanta's visual mastermind
Is This the End of the TV Writers' Room as We Know It?
Wyatt Russell Looks for Magic on Lodge 49
Why novelists are taking over television, and why the TV industry needs them
How The Deuce turned its lens on a female porn auteur
Profile of Lisa Nishimura, Netflix's doyenne of documentaries
How Benedict Cumberbatch climbed inside his favorite literary hero, Patrick Melrose
"I'm Kinda Still on Fire": A Profile of Roseanne Barr
Tanya Saracho's Vida Brings the Latinx Gaze
Meet the Dramedy Queens: The Women Who Built TV's New Modern Age
The Creator of Jessica Jones Serves Up a Dark Mirror for Our Moment: A profile of Melissa Rosenberg
Ava Duvernay is the Hollywood Hero We've Been Waiting For
The Single Mom's Guide to Love, Sex and Basketball: A profile of SMILF's Frankie Shaw
Women directors bring unique experiences to the small screen — it's getting in the door that's tough
Liz Hannah, the Novice Screenwriter Whose Spec Script Launched an Oscar Campaign
Author Danzy Senna on Finding Inspiration After Leaving Brooklyn
Leonora Carrington, the surrealist storytelling genius
Review of Catherine Lacey’s The Answers
ARCHIVES: Books, TV, Music, Culture
The Last Days of Loserville: Saying Goodbye to the Old Bowery
The Tanning Salon: A profile of Surrealist Dorothea Tanning
A set visit to 'Downton Abbey'
An interview with Zadie Smith on 'On Beauty'
Making the Cut: A profile of Jane Campion
Wander Woman: A review of Rebecca Solnit's 'Field Guide to Getting Lost'
Joss Whedon Just Wants to Be Loved: Q&A
An interview with Noel Fielding & Julian Barrett of the Mighty Boosh
'Game of Thrones': An epic with a different ring
Mike White talks about freaks, sincerity and HBO's 'Enlightened'
Sex, anarchy & Russell Brand: A cheeky Q&A
A fall season full of clever (and crude) women
Chloe Sevigny is happy to be a sister wife on 'Big Love'
The Laws of Depravity: A profile of Gary Indiana
Goddess of Small Things: Talking to Arundhati Roy
Outside the Box: Cable TV is Becoming the New Playground for Indie Film Directors
Remembering Glenn O'Brien's 'TV Party'
Maestro of Mortification: An interview with Steve Coogan
My Fake Candidate: Talking to Robert Altman about Tanner 88
Exquisite Corpses: The ravishing visual world of 'Six Feet Under'
The Comedy of Cringe: Say Hello to 'The Office'
Sapphic Lights: A review of 'The L Word'
Revelation Road: A profile of Edwidge Danticat
Don't Look Back: A review of Joan Didion's 'Where I Was From'
Talking to Naomi Klein about 'No Logo'
Notes on Girl Power & the Birth of Jane Magazine
Frida Icon: A feature on the cultural obsession with Frida Kahlo
Melrose Place: A review of Edward St. Aubyn's 'Some Hope'
Vice Bust: What's So Edgy about Vice Magazine?
The Interpreter: A profile of Fareed Zakaria
Palace in Wonderland: A review of Kathryn Davis's Versailles
Strip Teaser: The Graphic Art of Julie Doucet